I know! I KNOW!!! The first line of the intro to this interview will sound like the opening paragraph of a really badly written, unimaginative, paperback novel. But I like to set the scene before my interviews (and it helps get the word count up too!).

So here we go: It’s a cold, dark, blustery November night as I go to meet GAND? – the driving force behind Faction Structure, the latest band on the eminent, cult record label The Perfect Pop Co-Op.
GAND? Is a mysterious Man, and in line with this, the date and the venue for the interview has changed several times. Eventually we meet in The Crown on Hatfield Road, and sit down and talk about Faction Structure, their upcoming second album ‘Circles’, and as per usual with my interviews, we go off on several tangents and talk about Bowie, the local music scene, the future of music and the A414 (!).
In some ways it’s the most difficult interview I’ve done: YOU try sitting in a busy public house (Spanish Lager for GAND? and Cornish Ale for me. Just in case you ever see either of us in the pub and you’re wondering what to buy us) and conduct an interview with a Man, who as bold as brass, is a wearing a weird mask, like some sorta character from ‘The Mighty Boosh’…
BigM!: Hello, we’ll kick off by you telling me how Faction Structure came into being.
GAND?: Lockdown really, thats how it started. I guess it was having a new way of working alone basically. Other Pop Co stuff like ‘Reverse Family’ started as a solo project which evolved and when that finished, there wasn’t a solo project left. Even though RF and Indeed FS morphed into collaboration…they are essential a solo outlet, for although I’ve gotta couple of other people on the album contributing here and there, generally it’s a solo project, so that’s how it came about: sitting at home, you know-alone…
Big M!: With nothing better to do!?
GAND?: Yeah! And I generally like to write when I’m alone… I used to write a Christmas Album every year, but not of Christmas Songs, I used to do it in December and I used to write an album each year, I guess it was one of those things, where, yeah, work’s over, nothing to do, so start writing, it was just a long period of works over… hence the five albums!
BigM!: So is it like a cathartic process? A positive? One of the very
few positives to come out of lockdown?
GAND?: I guess in a way, but as you’ve intimated in the review (ed-see page 38), it’s not necessarily an easy thing to listen to, so not in that way maybe, but it’s… I suppose a way of relieving some of the angst…
BigM: Of course I was lucky enough to read the review too -‘Cos I wrote it! 🙂 So I think I mentioned in there, how… some art, you know and music is certainly challenging, it’s not disposable… well some of it is and some of it isn’t, but I mean is that deliberate? Or just the way things come out of the process?
GAND?: I think it’s the way… the way I think generally, I mean, I guess, it’s probably the most honest project, in a way of…
BigM!: … Let me rephrase it a little bit then, I mean I write a little bit, a tiny bit, but I could never write anything ‘to order’, you know I just get a moment of inspiration, and if something comes out at the other end, it comes out. So I mean, if somebody came to you and almost gave you a commission; “Could you write a happy tune about Wallpaper or Flower Arranging” could you do that?
GAND?: No…
BigM!: Or would it, ‘cos it’s not from the soul…
GAND?: No!
GAND?: I wouldn’t… I couldn’t… well I guess if I was getting paid to do it, then OK I would do it! But it would NOT be how I work!
Generally, it’s writing the words and then the music is totally separate, they don’t come at the same time, so it’s writing lyric books, filling them up with day to day stuff, and then it’s like “Right I’ve got some time, I’m gonna do an album”!
I never write one song, I write ‘em in groups or chunks, and I always write it like an album, to me, even if it’s only eight tracks, which is a bit cheating-but then again ‘Station to Station’ is only six tracks…
BigM!: …Yeah, well I mean…. Kraftwerk, ‘Autobahn’, thats only four tracks and one of them…
GAND?: Yeah, twenty minutes…
BigM!: … takes up all of side 1. So yeah, it’s a cliche, but it’s the quality not the quantity that counts I guess.
So why then does it sound like, from an outsider’s perspective, that it’s very mapped out-’cos there’s five albums I understand in total, so they’re all written, they’re all ready to go, it’s just a case of releasing them when the time’s right?
GAND?: Yeah! Definitely not ‘mapped out’ though. I literally wrote the songs when the time came available to do them, and then in the end I had enough songs to do five albums-That is what is was-literally there was a big pile of songs and they moved around a little bit-a couple of the tracks on ‘Circles’ weren’t originally going to be on the album…
BigM!: … Right… So why the swap? Why did they end up moving?
GAND?: …Well I’ll tell you, there’s one reason and it’s kinda sad reason of the times, and er… finances basically: Because I wanna put them out on vinyl …and it’s not cheap, I kinda looked at a couple of the tracks: a couple of the more favourite tracks, on maybe the third, fourth, fifth albums, and I thought “Right-OK, I might not be able to afford to put vinyl out for a while-I’m gonna swap a couple round”. So I kinda, definitely picked a couple of tracks from ‘Circles’ from other albums just in case I can’t put anything out for a while.
But yeah, the five albums are all ready, all the artwork is done, but it’s basically…
BigM!: I’m glad you mentioned the artwork…
GAND?: …Costs Man!
BigM!: …’Cos ‘Circles’ Am I right in saying, that’s from one of your bike rides-The North Orbital Road?
GAND?: It is! Yeah!
BigM!: Yeah, I thought I recognised it!
GAND?: And that is…
BigM!: I’m not sure what that says about me actually! That I recognise a strip of urban dual carriageway!
GAND?: Well anyone who lives round here, would recognise that area-they’ve either been stuck in a traffic jam on it or they’ve been cycling up the side of the road or walking up it I suppose.
BigM!: Yeah.
GAND?: ‘Cos in Lockdown, so many more people were doing that. I mean everybody discovered bits of fields and bits of roads and paths and things they never even knew existed.
BigM!: Yeah, I fell into that category.
The actual name ‘Faction Structure’ does that have any significance?
GAND?: No… well… I think if there was an overall influence on all of the music on this project, it’s probably I was listening to a lot of David Bowie… and…it comes from a quote* (see page 34) from David Bowie basically – The Faction Structure title, so yeah, it’s Bowie’s dystopian and ‘Diamond Dogs’ in particular was one of the albums…
BIGM!: Was this just before his Berlin phase? ‘Diamond Dogs’? Wasn’t that just before Berlin?
GAND?: ‘Diamond Dogs’ was before ‘Young Americans’ so it’s before Plastic Soul… everybody talks about ‘Ziggy’ and ‘Aladdin Sane’, but ‘Diamond Dogs’, I think is such an interesting album, ‘cos it was the one that was due to be based on ‘1984’…
BigM!: I got it I think-it’s the one with ‘Warszawa’ the instrumental track on it. I think???
GAND?: No-thats ‘Low’.
BigM!: OK.
GAND?: It’s the one with him basically he’s a Dog on the front…
BigM!: Yep.
GAND?: …and so, he was gonna write, basically a play on ‘1984’ and George Orwell’s wife wouldn’t allow him to do it. So he kinda binned that idea, but carried on with half the concept, and then he took it on tour and it was the most elaborate tour as well. It was kinda like he has this amazing stage set, he used to erect and put down every night, but it was based a little bit on ‘The Cabinet of Dr. Caligari’ I’m not sure if you’re familiar with it? Directed by Robert Wiene…
BigM!: No…
GAND?: It’s a black and white, 1920’s German film, which is like seminal goth, in the same vein as ‘Nosferatu’…
BigM!: And ‘Metropolis’ and all that sort of era?
GAND?: …yeah that kinda stuff.
So it’s an absolutely brilliant film, but anyway Bowie basically based the set a bit on that. So I was really immersed in all that at the time… the lyrics as well… probably… I didn’t write them specifically for this, but then, when I was writing I probably looked through the book and ignored the two lines of happiness and picked like the 500 lines of misery!
BigM!: I think one of the things I like is the fact that to me the lyrics are obscure… and in a way non-sensical but do make sense, I mean more from a vibey, atmospheric point of view. And I think it’s good, to make people think for their selves and not give to much away about what a song is about and let people interpret it in their own way and I think the album certainly gives people lots of scope to do that…
GAND?: Yeah.
Big M!: …And I also think… I don’t know… I like it, it makes me feel slightly uncomfortable, when we’re living in times where everybody expects to be spoon fed stuff…
GAND?: Everything.
BigM!: …everything.
GAND?: I think thats the case with lyrics. I think lyrically, I think things are very much… erm… lowest common denominator these days?. You know, it’s amazing now, people who buy music and who love music don’t really care about the lyrics. See, for me the lyrics are more important than anything-and thats why I love Bowie-you know one of the best lyricists for me ever! And then you mix in with my other hero of that era, Bolan and you’ve got non sensical lyrics mixed with dystopian themes of Bowie and then I guess thats kinda, sorta where you roughly come out with Faction Structure.
BigM!: But the new wave influence is clear on there as well. I think.
GAND?: I think, musically definitely. And I guess lyrically the New Wave/ Post Punk era was my first experience of music that was outwardly challenging things…
BigM!: Yeah…again I think Bowie, his influence reaches far and wide-all those New Wave bands they were all I think very influenced by Bowie as well.
GAND?: Oh yeah…
BigM!: It’s almost like a lineage is there, almost a generational thing. So I know the album and the previous album ‘Buyin’ Into Fantasy’ was available on vinyl…
GAND?: Yep.
BigM!: …50 copies each. Will people be able to buy it by downloading it, if they want to?
GAND?: Well yeah, downloading, you’ll be able to do that.
BigM!: Where will that be available?
GAND?: Bandcamp- FactionStructure.Bandcamp.com
Where you can get ‘Buyin’ Into Fantasy’, that way now, and yeah, ‘Circles’ will be available there (15th April 2023). And then in the future, possibly, I’ll do CD’s , but then again that will be limited. Nobody really buys CD’s anymore, not that I know anyway!
BigM!: No, they’re like the middle men now CD’s-people have gone back to purchasing vinyl or… I don’t even know if people download so much now… it’s more streaming I believe.
GAND?: Yeah, it’s all streaming I think now from what I hear!
BigM!: Well you don’t ‘hear’ really do ya? Thats the problem!
Are there any plans to take Faction Structure out on the road?
GAND?: Well… you may or may not know we kinda did an associated gig at the Perfect Pop Co-Op party-Faction Structure: featured. We did a coupla versions of two of the tracks from ‘Buyin’ Into Fantasy’ I wouldn’t say… Faction Structure is gonna be a full band, live, on their own, but it could well feature with other projects.
BigM!: You could do it as a duo though, couldn’t you? You doing the vocals and someone doing the samples and keys? Maybe?
GAND?: Maybe. There’s a lot more guitars in there I think than, say ‘Andreas And The Wolf’ (Ed.Another act on the Perfect Pop Co-Op label). So yeah… I think to do it justice… It would work, it would be great as a full band, but… I think I’m running out of people, who, you know…
BigM!: Available?
GAND?: (laughs) Available to do it, yeah! I’ll end up with the ‘bare bones’ as Harry Redknapp would say.
BigM!: (laughing) I was gonna say something about tax then. But I won’t on the off chance he might read this article and sue us… So we’ll move swiftly on from good ole’ Harry.
Any information yet on when the new album will be out and where is gonna be available?
GAND?: Yeah we’re gonna do what we did last time: it makes sense to put ‘em out at Empire Records (ed. Fantastic St Albans record shop and good friends of The Perfect Pop Co-Op) I haven’t told them yet! But, they’ll be fine with it…
BigM!: I’m sure they will be fine with it!
GAND?: …15th April is the next record store day, so it makes sense to do that there and, you know, hopefully, if we sell the L.P.’s we’ll be able to put the third album out for the next one after that. So that’s kinda rough idea of scheduling. And I mean we are hoping to put out, it’s been a long time, we’re waiting to get some mixes done for ‘Anxiety’ by Faction Structure as a single, which might be out in time for Christmas. But it might not.
BigM!: O.K. So I guess we’ll wait and see on that one.
GAND?: Yeah. But that will be a download rather than a physical, unfortunately, due to financial restrictions.
BigM!: Yeah. Tell me about it! Erm… like I said, when I wrote the review I liked it… it was a challenge reviewing the album ‘cos it doesn’t fit into any one… for me… but people might listen and disagree with me and that is obviously a good thing, because, er , you know music IS very subjective, but I found it hard to review in the sense I couldn’t pigeonhole it, so if you… and it’s your baby, it’s your creation were coming to the uninitiated how would you… you know I’m gonna put you on the spot here: How would you describe Faction Structure in 5 words?
GAND?: Erm… 5 Words? ‘Personal’, ‘Eclectic’, Hmmm…difficult….
BigM!: Yeah you could describe it as that…
GAND?: Difficult? Yeah! Erm…
BigM!: Can I offer a suggestion?
GAND?: Go on…
BigM!: ‘Appropriate’?
GAND?: O.K. What? For the times??
BigM!: Yeah! I think so. You know, I think it would be really good if we could live in times where we were inspired to write, really happy, you know… almost like Hippy ‘Peace and Love’ stuff. But the environment doesn’t allow …
GAND?: No…
BigM!: …that at the moment.
GAND?: No. ‘Educational’ then let’s say (chuckling).
BigM!: Interesting…. I coulda been horrible and difficult and said 5 words begining with ‘C’ or something like that, but that would have been a bit cruel…
GAND?: Yeah..
BigM!: …and we’ve not had that much beer yet!
GAND?: Laughs.
BigM!: So, how did Tiggy-Pop come to be involved? I mean I know who Tiggy-Pop is, but you might wanna continue the mystery on who they are. Did they almost badger you for a cameo to appear on the album?
GAND?: No, not really, no-I thought it would be a nice thing to do really. Just try something new… I mean I’ve been working on a separate project with Tiggy-Pop, apart form Andreas and The Wolf as well ‘cos I’m thinking she might be able to do quite well with her own solo album at some point…
BigM!: Are you producing that?
GAND?: Yeah… I’ll be…
BigM!: ‘Creative Consultant’?
GAND?: … I’ll certainly be…yeah… I’ll probably be writing it! (Laughs).
BigM!: (laughing) I hope you get the royalties!
GAND?: In terms of mixing, we’ll get The Beautiful Wolf involved as well… ‘cos obviously with Pop Co it’s very much ‘keeping it in the family’ – literally in that instance, but yeah, I think all of the projects have differences enough… I don’t know if you’ve listened to Kev Saunders ‘365’ on Uneasy Listening and Mix Cloud? He played 4 tracks from the Pop Co in a row on his show last week: Andreas and The Wolf, Faction Structure, The Tuesday Club and Narcotic Hearts…
BigM!: O.K.
GAND?: … I think, if you know they all come from the same…lineage… they’ve still all got their own distinct…
BigM!: I think you can tell…
GAND?: …sound.
BigM!: They’re siblings basically, all with their own similarities, but all with their unique character, if you like. Thats the way I look at it. Sometimes I’ve heard a Perfect Pop Co song for the fist time… I think it was ‘The Dodo’, and I recognised the drumming straight away. You know… so again, it was familiar but different if that makes sense?
So that was quite interesting, and I think it would be also be interesting if you could do some sorta ‘blind’ listening challenge to see if you could…
GAND?: Yeah, I’m with you on what you’re saying…
BigM!: … In fact, I think I might try that on somebody I know… I might play a Perfect Pop Co sampler to her and see if she can identify which band is which!
GAND?: (laughs) It would be good if she can tell if there is more than one band anyway!
BigM!: Yeah… I think she could… I hope she could, otherwise there’s gonna be trouble!
So, I think this is the third in a series of interviews I’ve done for ‘In The Club’ and I like to talk about the wider… erm… music scene, ‘cos I think it’s really important to get input and perspective from the people who are actually in it…
GAND?: Yeah…
BigM!: … So, you know, the Hertfordshire… and I’ve covered this before… the Hertfordshire scene is non existent… to a certain extent… do you see any bright future? Any shoots of greenery on the horizon for getting a decent scene back? Particularly in St. Albans, I mean obviously you have the Balstock Festival in Baldock which is absolutely fucking brilliant and the Magical Mystery Tour in Hertford – Brilliant! And I think to myself, why can’t we have this…
GAND:? Yeah… and Croxfest…
BigM!: … Yeah… Croxfest… why can’t we have this in St.Albans? Do you see any prospect for that kinda stuff?
GAND?: It certainly wouldn’t come from what’s there at the moment I don’t think. I don’t think anyone is busting a gut to do anything like that, I mean it’s all corporate ‘pub in the park’ type things, that’s what St Albans does really… I mean, St Albans Arts do their best, but they don’t have any funding… for instance, Hertford Magical Mystery Tour, Kev Saunders, you know he really has to work hard, to get everybody in the community involved. I don’t know… I don’t know if St. Albans is kinda too big… or too affluent or whether they think they don’t need it… I just don’t know.
BigM!: I thought the same, but then I compared Hertford to St. Albans and they’re fairly similar in terms of size and socio-economic standing… there’s a lot of affluence in Hertford…
GAND?: I mean, I don’t really know what venues there are in Hertford. I’ve not been to Hertford in terms of gigging for a while. I mean I know The Corn Exchange is now doing gigs again… there’s a lot of places in St.Albans that do duo’s, but there’s not a lot of places that do bands.
BigM!: No, thats the other thing, the other problem with St. Albans: there aren’t many venues, where you can physically get a full band inside.
GAND?: Yeah, and also, there’s only really, obviously you’ve got the City Hall and places like that, but The Horn is the only place thats really purpose built…
BigM!: Yeah.
GAND?: … otherwise the Farmers, we both know, or places like The Lower Red, you get problems with the neighbours, thats the thing. I mean there’s Club 85 in Hitchin, there’s a few places round Hertfordshire that are really geared up to do music, but they’re all separate scenes, thats the thing.
BigM!: Hnmm…
GAND?: I mean we’ve done some gigs with The Metatrons who are from that way and now we’ve got to know Kev Saunders, so some of the guys in the bands in Hertford come and see The Tuesday Club and other bands, so I guess there’s something kinda gradually growing, but I don’t know about young bands… you know, Kick Pistol are about the only young band in St. Albans I could tell you.
BigM!: There’s a good young band, St Watson from Harpenden, I saw them once at The Horn – a lot of energy… had a good little turn out. I felt a bit old-I was probably the oldest one there, but yeah a good turn out, some good tunes… but I’ve heard nothing about them since, and I wonder is that due to the band… you know what it’s like in bands… sometimes you have members with different levels of commitment and it’s difficult to get things together or is it they just don’t have a platform to do their stuff?
GAND?: Well, I don’t know what their expectations are? It’s not like it was when I was a kid, you know… music was EVERYTHING… it was the way you dressed, it was where you went…
BigM!: It was spending your all your pocket money on a cassette or an album…
GAND?: Yeah. You saved up to do that. You literally wore your look on your sleeve, and you went out to the places likeminded people went, but you know, I honestly don’t know where… that culture has kinda gone, and you know, retro is always eating it’s self in the sense it’s constantly regurgitating the same thing now. I don’t know… I don’t know what the kids do-I mean there aren’t the tribes there used to be, there’s none of that kinda thing.
BigM!: Do you think that’s because they can stay at home and produce?
GAND?: Yeah! Exactly! It’s stuff like the internet too? I’m reading a book on the Beastie Boys at the moment, and you know, people look at The Beastie Boys in two ways, one they were the ‘Fight For Your Right’ nutters, you know, young blokes, kinda doing the wrong thing… misogynistic… you know… and then thoroughly regretted it and after that time they came back as a real creative and cultural force…
Big M!: ‘Pauls Boutique’ is a FANTASTIC album…
GAND?: Yeah! You know, reading this book, the way they set up, the things they did… the magazine… is very much like what we do with Perfect Pop Co, you know clothing labels… all that kinda stuff, they were a whole creative unit… and, I dunno… there are obviously things around here, but I don’t know where they are and what they do, you know.
I think, we kinda do what we do in our own Universe and if nobody else is dipping into that, well thats up to them… it’s NEVER gonna make us stop doing what we do. Thats the thing.
BigM!: No, and I think thats one of the admirable things… you know… it’s not down to court favour…
GAND?: We’re not interested… No… we’re not influenced by that…
BigM!: You wanna do it ‘cos it’s obviously a passion and it’s a valid form of expression.
But do you think what I was saying about locally, that applies nationally as well? ‘Cos, I tell you why I ask the question: Punk, when it came out for an example was a rebellion against all that Prog Rock stuff, you know Rock Opera’s… concept albums etc etc… you know ‘Synthesiser On Ice’ bollocks…
GAND?: And it was a way of expressing, dissatisfaction with the times, but yeah… I think that’s what music used to be… that’s the thing.
BigM!: But that’s the point I’m making, you know… we are living in times right now where there is plenty to be dissatisfied about, but nobody seems to be kicking back against it or rebelling against it! And thats a mystery to me… I’m too old, you know what I mean, to be leading a revolution! But it’s a mystery to me, why there aren’t younger people coming through and kicking back …
GAND?: Yeah.
BigM!: … and protesting or being more vocal…
GAND?: It is strange… I dunno why everybody is so comfortable with it. Maybe it’s something to do with Social Media… keeping them tied down… there’s definitely not that ‘rebellioness’ there used to be…
BigM!: Do you ever see, like a Sex Pistols coming through again and releasing something like… I mean I wasn’t around when the Pistols brought out ‘God Save The Queen’ but I spoke to Stuart Maconie about it and he was trying to explain to me how shocking it was: To speak about the Royal Family with anything less than complete reverence was really really shocking…
GAND?: well yeah…
BigM!: … but unless you were there, you couldn’t appreciate it.
GAND?: … I think the thing with punk… the legacy of punk is… that most of the taboos have gone. That’s the thing, you know? And now it’s… it’s very hard to shock people I think.
BigM!: Yeah.
GAND?: So… Yeah… I can’t really see it happening with music. I don’t know what, I really don’t know, where it’s gonna go. I think… until they start… paying bands properly on streaming services and things like that… you know, it’s not a career for people… in the old days you used to get blokes who would form bands from school or they’d form bands from work ‘cos they had nothing else to do kinda thing. Whereas the only kids who seem to form bands are from Brit School or they go and get a degree in writing songs?!…
BigM!: Yeah… they’ve been to Brighton College of Music…
GAND?: Or something like that. I don’t know if it’s more round here or national… I couldn’t say… I’m not living everywhere in the country!
BigM!: Now you’ve mentioned it, I think it is more national… it does come across with people like… erm… Coldplay and erm…Keane… I mean I don’t know them, I’m sure they’re very very nice people, but they seem to be very middle class… comfortable people who maybe haven’t got anything to rebel against… and it really comes across in their music.
GAND?: Well I think also… with music, in the old days used to be the thing people did to go and kick back from the week… they’d go out on the weekend or go out in the week… they’ve had a crap time, so go out and see a band … have a dance or whatever or you know… or a fight!… but now people have got 24/7 movies at home, they’ve got 85,000 channels and the internet they’ve got all sorts of other things to do! There’s too many distractions now. You know I think that’s the problem…
BigM!: Yeah… But then again, I think you’re right… the thing I liked was my Mum & Dad hated it! Which made me wanna do it more and listen to it more… so again there was that slightly rebellious thing going on… I could feel the tension building… I’d be up in me bedroom and Mum would be downstairs in the kitchen getting the tea ready and I’d be listening to Iron Maiden or whatever and I could feel her tension levels rising until she screamed at me “Turn that fucking rubbish off!”…
GAND?: Yeah yeah…
Big M!: … and it made me wanna do it more you know?
GAND?: No, I can totally relate to that, yeah I mean, I think that was then… I don’t see it now… I’m not saying there aren’t people who do it, but that was in every other bedroom in the country I think! Any teenager was doing that, now they’re not… they’re doing other things… there’s so many other things for them to do. So I dunno… maybe they go on Twitter and slate people on there or whatever… rather than going out?!
BigM!: Yeah, I think from observing Twitter, people think that by tweeting something or somebody, they’re gonna change the world. But I don’t think thats a realistic expectation. Let’s get back on track with Faction Structure, bearing in mind what we’ve discussed, what are you expectations for the project?
Obviously – you aren’t gonna sell a million ‘cos there is only 250 albums!
GAND?: Well really obviously what I’d like is for people, like you said with the review, make their own mind up what they are. They’re entertainment at the end of the day. That’s the thing. They’re for people to think about and… you know, that’s why we do it on vinyl as well… ‘cos how many hours can you spend looking at the back of a vinyl L.P. sleeve? I mean I could spend hours just looking at the back of an L.P.! I think it’s about the art of it, it’s about the… I dunno… the collectibility I guess as well. The bands you love, you wanna have that material and the fact it’s a set of 5… hopefully that’s gonna be interesting.
BigM!: Well, we’ll watch that space regarding Faction Structure, I know you’ve always got your finger in a project pie or two so to speak…I know there is more stuff in the Perfect Pop Co-Op pipeline and maybe we can have a chat about that in the future…
GAND?: Yeah, yeah, definitely!
BigM!: For the readers who might be coming to this mag for the first time, how can they find out more about Faction Structure ?
GAND:? FactionStructure.co.uk and you can actually see the artworks for all 5 albums on there. Bandcamp is where you can buy it or from Empire Records… and that’s the only places you can really buy it! We’re keeping it as exclusive as we can as well really. And the Perfect Pop Co website – perfectpopco-op.co.uk will probably have the latest info and other social medias! Just so check that out really!
BigM!: Brilliant! I think I’m done. Anything else you wanna add, before we knock off?
GAND?: No, I think that’s it… we’ve covered it enough to hopefully make it intriguing… which is what you need to do!
To find out more about Faction Structure and their work check out: perfectpopco-op.co.uk